![\"alessandro\"](\"http:\/\/www.dotolim.com\/dotolimpic\/files\/2013\/08\/alessandro-1024x683.jpg\")
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\uc54c\ub808\uc0b0\ub4dc\ub85c \ubcf4\uc138\ud2f0<\/strong>(1973\ub144\uc0dd \uc774\ud0dc\ub9ac \ubc00\ub77c\ub178 \ucd9c\uc2e0)\ub294 \uc791\uace1\uac00, \uc5f0\uc8fc\uc790, \uc0ac\uc6b4\ub4dc\uc544\ud2f0\uc2a4\ud2b8\ub85c \ud604\uc7ac \ubca0\ub97c\ub9b0\uc5d0 \uac70\uc8fc\ud558\uace0 \uc788\ub2e4. \uadf8\ub294 \uc18c\ub9ac \uc778\ub958\ud559\uacfc \uc720\uc0ac\ud55c \uc811\uadfc\ubc29\uc2dd\uc73c\ub85c \uc0ac\ud68c\uc801 \ud589\ub3d9\uacfc \uc0ac\ud68c\ud559\uc801\uc778 \uce21\uba74\uc744 \uadf8\uc758 \ub77c\ub514\uc624 \uc791\uc5c5\uacfc \uc559\uc0c1\ube14 \uadf8\ub9ac\uace0 \uadf8\uc758 \uacf5\uc5f0\uc744 \ud1b5\ud574 \ubcf4\uc5ec\uc900\ub2e4. \ud604\uc7a5\uc5f0\uad6c\uc640 \uc778\ud130\ubdf0\ub294 \uadf8\uac00 \ub9cc\ub4dc\ub294 \ucd94\uc0c1\uc801\uc778 \uc791\uace1\uc758 \uae30\ubcf8\uc774 \ub41c\ub2e4. \uc774\uc640 \ud568\uaed8 \uc77c\ub809\ud2b8\ub85c-\uc5b4\ucfe0\uc2a4\ud2f1 \ubc0f \uc5b4\ucfe0\uc2a4\ud2f1 \ucf5c\ub77c\uc8fc, \uad00\uacc4 \uc804\ub7b5, \uc219\ub828\ub41c \uc5f0\uc8fc\uc640 \uc219\ub828\ub418\uc9c0 \uc54a\uc740 \uc5f0\uc8fc, \ubaa9\uc18c\ub9ac \uc2e4\ud5d8\uacfc \ub514\uc9c0\ud138 \uc870\uc815 \ub610\ud55c \uadf8\uc758 \uc791\uace1\uc744 \uad6c\uc131\ud55c\ub2e4. \uadf8\ub294 \uadf8\uc758 \uc138\ub300\uc5d0\uc11c \uac00\uc7a5 \ud601\uc2e0\uc801\uc778 \ub77c\ub514\uc624 \uc544\ud2f0\uc2a4\ud2b8\ub85c 2000\ub144\ubd80\ud130 Ars Acustica\uc758 \uc911\uc694\ud55c \uc778\ubb3c\uc774 \ub418\uc5c8\ub2e4. \ub3c5\uc77c \ucfb0\ub978\uc758 \uc5ed\uc0ac\uac00 \uae4a\uc740 WDR \uc2a4\ud29c\ub514\uc624 \ub4f1\uacfc \uac19\uc740 \uc8fc\uc694 \ub77c\ub514\uc624 \ubc0f \uc77c\ub809\ud2b8\ub85c-\uc5b4\ucfe0\uc2a4\ud2f1 \uc2a4\ud29c\ub514\uc624\uc5d0\uc11c \ud63c\ud569\ub41c \ubb38\uc790-\uc18c\ub9ac \uc791\ud488\uacfc \ub77c\ub514\uc624 \uc791\ud488\uc744 \ub2e4\uc218 \ub9cc\ub4e4\uc5b4 \uc0c1\uc744 \ubc1b\uc558\ub2e4. \uc608\ub97c \ub4e4\uba74 Il Fiore della Bocca (Rossbin\/DLR 2005)\uc640 \uac19\uc740 \uc791\ud488\uc740 \uc815\uc2e0\uc774\ub098 \uc721\uccb4\uc758 \uc7a5\uc560\ub97c \uac16\uace0 \uc788\ub294 \uc790\ub4e4\uc758 \ubc1c\uc131\uc744 \ub2f4\uc558\uace0 African Feedback(Errant Bodies press, 2004)\uc740 \uc11c\uc544\ud504\ub9ac\uce74\uc758 \uc74c\uc545\uc5d0 \ub300\ud55c \uacf5\ub3d9\uc870\uc0ac \uacb0\uacfc\ub97c \ub2f4\uc558\ub2e4. \ub610\ud55c \uc791\uace1\uac00\ub85c\uc11c \ubca0\ub97c\ub9b0\uc758 KammerensebleNeue Musik, Die Maulwerker\uc640 \ucfb0\ub978\uc758 WDR\uc73c\ub85c\ubd80\ud130 \uc559\uc0c1\ube14\uc744 \uc704\ud55c \uc74c\uc545 \uc791\uace1\uc744 \uc758\ub8b0 \ubc1b\uc558\ub2e4. \ucd5c\uadfc\uc5d0\ub294 Besan\u00e7on museum of Contemporary Art\ub97c \uc704\ud574 \uae30\ud0c0(Seth Josel), \ud074\ub77c\ub9ac\ub137(Laurent Bruttin), \ubaa9\uc18c\ub9ac\ub85c \uad6c\uc131\ub41c \ucc54\ubc84\uc74c\uc545\uc744 \uc791\uace1 \uc911\uc774\ub2e4. \uadf8\ub294 \uc720\ub7fd, \ubbf8\uad6d, \uc544\uc2dc\uc544\ub97c \ub04a\uc784\uc5c6\uc774 \ud22c\uc5b4\ub97c \ub3cc\uba70 \uc5f0\uc8fc\ub97c \ud574\uc624\uace0 \uc788\ub2e4. \uc77c\ub809\ud2b8\ub85c-\uc5b4\ucfe0\uc2a4\ud2f1 \uc791\uace1\uacfc \ubb38\uc790-\uc18c\ub9ac \uc791\ud488\uc758 \uacbd\uacc4\ub97c \ud5c8\ubb34\ub294 \ubaa9\uc18c\ub9ac\uc640 \uc804\uc790\uc74c\uc545\uc744 \uc774\uc6a9\ud55c \uc194\ub85c \uacf5\uc5f0\uc744 \uc120\ubcf4\uc600\ub2e4. \uc194\ub85c \uacf5\uc5f0\uc5d0\uc11c \uc0ac\uc6a9\ud558\ub294 \ub9d0\ud558\ub294 \uae30\uacc4\uc778 Mask Mirror\ub294 \uc554\uc2a4\ud14c\ub974\ub2f4\uc758 STEIM\uacfc \ub274\uc695\uc758 Harvestworks \ub514\uc9c0\ud138 \uc13c\ud130\uc758 \ub3c4\uc6c0\uc73c\ub85c 2007\ub144\ubd80\ud130 \ud604\uc7ac\uae4c\uc9c0 \uac1c\ubc1c\uc911\uc778 \ud504\ub85c\uc81d\ud2b8\uc774\ub2e4. \uadf8\ub294 \uc774\uac83\uc744 \uc774\uc6a9\ud574 \ubbf8\uad6d\uacfc \uc720\ub7fd \ub4f1\uc9c0\uc5d0\uc11c \ub9ce\uc740 \uacf5\uc5f0\uc744 \ud574\uc654\uace0 2012\ub144\uc5d0\ub294 \ud30c\ub9ac\uc758 GRM \ud398\uc2a4\ud2f0\ubc8c\uc5d0\uc11c \uc120\ubcf4\uc77c \uc608\uc815\uc774\ub2e4. Mask Mirror\uc744 \uc774\uc6a9\ud558\uc5ec \ubcf4\uceec\ub9ac\uc2a4\ud2b8\uba70 \uc5f0\uc8fc\uac00\uc778 Jennifer Walshe, Tomomi Adachi, Christian Kesten, Lou Mallozzi\uc640 \ud611\uc5c5\uc744 \ud588\uc5c8\ub2e4. 2009\ub144\ubd80\ud130\ub294 \uad6c\ub450 \uc5b8\uc5b4\uc758 \uc74c\uc545\uc131\uc5d0 \ub300\ud55c \ud0d0\uad6c\ub85c\uc11c \ub9d0\uc758 \ubc18\ubcf5 \ub8e8\ud504\ub97c \uc2e4\ud5d8\ud558\ub294 \uc559\uc0c1\ube14\uc778 Throphies\ub97c \ub4dc\ub7ec\uba38 Tony Buck\uacfc \ud504\ub81b\ub9ac\uc2a4 \uae30\ud0c0\ub9ac\uc2a4\ud2b8\uc778 Kenta Nagai\uc640 \ud568\uaed8 \uc870\uc9c1\ud558\uc600\ub2e4. \ubcf4\uc138\ud2f0\ub294 Errant Bodies Press, Monotype, Rossbin, Sedimental \ub4f1\uc5d0\uc11c \uc194\ub85c\uc640 \ud611\uc5c5\uc744 \ub2f4\uc740 10\uc7a5 \uc774\uc0c1\uc758 \uc74c\ubc18\uc744 \ubc1c\ud45c\ud558\uc600\ub2e4. \uc74c\uc545\uc7a1\uc9c0\uc778 Blow Up, Dusted Magazine, The Wire\ub85c\ubd80\ud130 \ub3c5\ucc3d\uc801\uc778 \uc74c\uc545\uac00\ub85c \uc778\uc815\ubc1b\uc558\uc73c\uba70 The Wire\uc5d0\uc11c\ub294 \uadf8\uc758 \uc74c\ubc18\uc778 Zwolfz\u00fcngen\uc744 2010\ub144\uc758 \ud0c8\uc7a5\ub974 \uc74c\uc545\ubd80\ubb38 \ubca0\uc2a4\ud2b8 15\uc5d0 \ubf51\ud614\ub2e4.<\/p>\n Alessandro Bosetti<\/strong> (Born Milano, Italy, 1973) is a composer, performer and sound artist currently based in Berlin.His approach is close to sound anthropology and incorporates social, behavioral and sociological aspects in his works for radio and ensembles as well as in his performances.Field research and interviews often build the basis for his abstract compositions along with electro-acoustic and acoustic collages, relational strategies, trained and untrained instrumental practices, vocal explorations and digital manipulations.One of the most innovative radio artists of his generation he has been a key Ars Acustica figure since 2000, and created a vast body of work of hybrid, award winning, text-sound and radio compositions for the main Radio and Electro Acoustic Music studios in Europe, most notably for the historical WDR’s Studio Akustische Kunst in Cologne and Deutschland Radio’s Klangkusnt Dept. in Berlin. Of special relevance pieces like Il Fiore della Bocca (Rossbin\/DLR 2005), a work on the vocality of the mentally and physically impaired and African Feedback, a collaborative scrutiny on experimental music in West Africa (Errant Bodies press, 2004). As a concert composer he received commissions from ensembles as the KammerensebleNeue Musik and Die Maulwerker in Berlin and from WDR in Cologne. He is currently writing a cycle of chamber pieces for guitar, clarinet and voice commissioned by the Besan\u00e7on museum of Contemporary Art with guitarist Seth Josel and clarinetist Laurent Bruttin.Alessandro Bosetti is an emotional performer that has consistently toured in Europe, Asia and the United States. He’s been presenting solo sets for voice and electronics blurring the line between electro acoustic composition, text-sound pieces and performance. As a tool for live performance he created the speaking machine Mask Mirror ( 2007 – ongoing ) with the support of STEIM in Amsterdam and Harvestworks digital centre in NYC and performed extensively with it in Europe and the USA. Mask Mirror will be featured in his 2012 concert at the GRM festival Presences Electroniques in Paris. Further collaborations featuring Mask Mirror include performers and vocalists Jennifer Walshe, Tomomi Adachi, Christian Kesten, and Lou Mallozzi.Since 2009, continuing his quest on the musicality of spoken language he started exploring repetitive speech-loop forms with his ensemble Trophies with drummer Tony Buck and fretless guitarist Kenta Nagai.Bosetti has published more than ten CD’s under his own name on labels as Errant Bodies Press, Monotype, Rossbin and Sedimental and many others in different collaborations.Dusted Magazine \u201cA rewarding, unique and surprisingly responsive encounter.\u201d For The Wire \u201cBosetti’s work has undjudgemental embrace, complex transvaluations and challenges our liberalism”Bosetti’s Cd Zwolfz\u00fcngen has been listed as one of The Wire’s best 15 outer limits cd’s of 2010.<\/p>\n","protected":false},"excerpt":{"rendered":"