\n
2008\ub144 \ucd9c\ubc1c\ud55c \uacf5\uac04 \u2018\ub2fb\uc62c\ub9bc\u2019\uc740 \uc18c\ud615 \uacf5\uc5f0\uc7a5 \ubc0f \ub808\ucf54\ub529 \uc2a4\ud29c\ub514\uc624\ub85c \ub2e4\uc591\ud55c \uc601\uc5ed\uc5d0\uc11c \ub2e4\ub978 \uad00\uc810\uc744 \uac00\uc9c0\uace0 \uc788\ub294 \ubd84\ub4e4\uacfc \uc5f0\uc8fc\ud68c\ub97c \uc9c0\uc18d\uc801\uc73c\ub85c \uc774\uc5b4\uc624\uace0 \uc788\uace0, \uadf8 \ubc16\uc5d0 \uc601\uc0c1\ubb3c \uc0c1\uc601\ud68c, \uc804\uc2dc\ub4f1\uc744 \uc9c4\ud589\ud558\ub294 \uacf5\uac04\uc785\ub2c8\ub2e4. \uc774\ubc88 \uc5f0\uc8fc\ud68c\ub294 \ud55c\uc774\uc0ad, \uc774\ud589\uc900, Paul Gr\u00fcndorfer\uac00 \ud568\uaed8 \uacf5\uc5f0\ud569\ub2c8\ub2e4.<\/p>\n
\n
Setlist<\/strong><\/p>\n \ud55c\uc774\uc0ad Isak Han (Solo) \uc5f0\uc8fc\uc790 \uc18c\uac1c<\/strong><\/p>\n \ud55c\uc774\uc0ad Isak Han<\/strong><\/p>\n \ud55c\uc774\uc0ad\uc740 \uc608\uc220\uac00, \ub514\uc790\uc774\ub108, \uc804\uc790\uc74c\uc545\uac00 \uc774\ub2e4. \ubca0\ub97c\ub9b0 UdK \uc5d0\uc11c \uc81c\ud488\ub514\uc790\uc778\uacfc \uc81c\ub108\ub7ec\ud2f0\ube0c\/\ucef4\ud4e8\ud14c\uc774\uc154\ub110 \uc544\ud2b8\ub97c \uacf5\ubd80\ud588\uace0, \ud504\ub85c\ub4c0\uc11c\/DJ\ub85c \ud65c\ub3d9\ud588\ub2e4. \uc81c\ub108\ub7ec\ud2f0\ube0c \uc544\ud2b8 \ubc29\uc2dd\uc5d0 \ub9e4\ub8cc\ub41c \uc774\ud6c4\uc5d0\ub294 \uc5f0\uc8fc\uc790\uc758 \uc6c0\uc9c1\uc784 \uacfc \uc9c1\uad00\uc801\uc73c\ub85c \uc720\uc5f0\ud558\uac8c \uc0c1\ud638\uc791\uc6a9\ud558\ub294 \ucef4\ud4e8\ud130 \uae30\ubc18\uc758 \uc0c8\ub85c\uc6b4 \uc545\uae30 \uac1c\ubc1c\uc5d0 \ubab0\ub450 \ud558\uace0 \uc788\uc73c\uba70, \ud544\ub4dc\ub808\ucf54\ub529, \ud558\ub4dc\uc6e8\uc5b4 \uc11c\ud0b7\ubca4\ub529, \uc18c\ud504\ud2b8\uc6e8\uc5b4 \ud504\ub85c\uadf8\ub7a8\ubc0d , \uc790\uc791 \uc545\uae30 \ub4f1 \ub2e4\uc591\ud55c \ubc29\ubc95\uacfc \uc5f0\uad6c\/\uc2e4\ud5d8\uc744 \ud1b5\ud55c \uc0c8\ub85c\uc6b4 \ubc29\uc2dd\uc758 \uc778\ud130\ub809\ub514\ube0c \uc74c\uc545\uc744 \ucd94\uad6c\ud55c\ub2e4. \ud604\uc7ac\ub294 \ubca0\ub97c\ub9b0\uc5d0 Hannes Hoelzl\uacfc \ud568\uaed8 \ud68c\uc0ac Airborne Instruments \ub97c \uc124\ub9bd\ud574\uc11c \uc0c8\ub85c\uc6b4 \ub514\uc9c0\ud138 \uc804\uc790\uc545\uae30 NTMI \uc0c1\uc6a9\ud654\ub97c \uc900\ube44\uc911\uc774\ub2e4. Isak Han is an artist, designer and electronic musician. He studied Product Design and Generative\/Computational art at the UdK Berlin and was a DJ in the Berlin club music scene. After immersing himself into generative art practices, sparked his passion for develop of computer based new music instruments with direct, gestural bodily influence that match acoustic ones in flexibility, maneuvrability and sonic potential. he mainly composes his music through field recordings, hardware circuit bending, software programming and personal instrument design. All these aspects are further developed through continuous experimentation and research. Currently, he is establishing his own company Airborne Instruments with Hannes Hoelzl to make NTMI:NonTrivial Music Instrument available to the market. <\/p>\n \uc774\ud589\uc900 Hangjun Lee<\/strong><\/p>\n \uc774\ud589\uc900 – \uc11c\uc6b8\uad6d\uc81c\uc2e4\ud5d8\uc601\ud654\uc81c(EXiS) \ud504\ub85c\uadf8\ub798\uba38(2009~\ud604\uc7ac)\ub85c \ud65c\ub3d9\ud558\uace0 \uc788\uace0 \uba40\ud2f0 \ud504\ub85c\uc81d\uc158\uacfc \uc635\ud2f0\uceec \uc0ac\uc6b4\ub4dc\ub97c \uc911\uc2ec\uc73c\ub85c \ud55c \ub2e4\uc591\ud55c \uc791\ud488\uc744 \ubc1c\ud45c\ud55c \uc601\ud654\uac10\ub3c5\uc774\ub2e4. Martin T\u00e9treault, Jerome Noetinger, Dickson Dee, Sandra Tavali \ub4f1 \uc5ec\ub7ec \uc74c\uc545\uac00\uc640 \ud611\uc5f0\uc744 \ud574\uc628 \uc989\ud765 \ud611\uc5f0\uac00 \uc774\uae30\ub3c4 \ud558\ub2e4. South Bank Centre (UK), Cafe OTO (UK), BOZAR (Belgium), Netmage10 (Italy), Espace Multimedia Gantner (France) \ub4f1\uc5d0\uc11c \uc791\ud488\ubc1c\ud45c\ub97c \ud588\ub2e4. LIFT (Toronto), Nowhere (London), MTK (Grenoble) \ub4f1\uc758 \uc791\uac00\uc785\uc8fc \ud504\ub85c\uadf8\ub7a8\uc5d0 \ucc38\uc5ec\ud588\uc73c\uba70 \uc0c1\uc601\uae30\ubc18\uc758 \uc791\ud488\uc740 \ud504\ub791\uc2a4 Lightcone \uc5d0\uc11c \ubc30\uae09 \uc911\uc774\ub2e4. \uc790\uc138\ud55c \uc815\ubcf4\ub294 http:\/\/leehangjun.com<\/a><\/p>\n Hangjun Lee is a filmmaker and independent curator who also works as a program director at EXiS festival in Seoul. His works are based on multi-projection and optical sound, focused on projector improvisation since the mid 2000s, collaborating with Ryu Hankil, Martin T\u00e9treault, J\u00e9r\u00f4me Noetinger, Will Guthrie, Alan Corutis. His films have been shown at various venues, including the Issue Project Room(NY, USA), South Bank Centre & Cafe OTO (London, UK), BOZAR (Brussels, Belgium), Rotterdam Film Festival(Rotterdam, Netherlands) and Netmage10 (Bologna, Italy) and have been distributed by Light Cone in Paris (France). He also has curated screening and live media programs such as Cinematic Divergence (2013) and Mujanhyang (2014) for the National Museum of Contemporary Arts in Seoul and Embeddedness: Artist Films and Videos from Korea 1960\u2019s to Now (2015) for the Tate Modern in London. more information http:\/\/leehangjun.com<\/a><\/p>\n <\/p>\n Paul Gr\u00fcndorfer \ud30c\uc6b8 \uadf8\ub940\ub3c4\ub974\ud37c<\/strong><\/p>\n Paul Gr\u00fcndorfer<\/strong>\ub294 \uc18c\ub9ac\ub97c \uacf5\uac04\uc758 \ud2b9\uc815 \uae30\uc900\uc5d0 \ub300\ud55c \ud589\ub3d9 \ubc0f \ubc18\uc751\uc758 \uc778\uc2dd \ud604\uc0c1\uc73c\ub85c\uc11c, \uadf8\ub9ac\uace0 \uacfc\uc815\uacfc \ubcc0\ud654\uc758 \ub9e4\uccb4\ub85c \ud0d0\uad6c\ud558\uace0 \uc788\ub2e4. \uadf8\ub294 \uc7a5\uc18c \ud2b9\uc815\uc801\uc778 \uac1c\uc785\uc758 \ubaa8\ud638\ud568, \uacfc\uc815 \ubcc0\ud654 \uc9c0\ud5a5 \ud504\ub85c\uc81d\ud2b8, \uc0ac\uc6b4\ub4dc \uad00\ub828 \uc870\ud615\/\uc870\uac01 \ubc0f \uc804\uc790\uc7a5\uce58\uc758 \uc548\uc815\uc131, \uc2e4\ud328 \ubc0f \ubaa8\ud638\uc131 \uac04\uc758 \uad00\uacc4\ub97c \uc870\uc0ac\ud558\uc5ec \uae30\ub2a5\uc801 \uad00\uacc4\uc640 \uac74\uc804\ud55c \uc0ac\uac74\uc758 \ucd9c\ud604\uc5d0 \ub300\ud574 \uc5f0\uad6c\ud558\uace0 \uc788\ub2e4. http:\/\/www.tricx.net<\/a> https:\/\/soundcloud.com\/t_a-z<\/a><\/p>\n \uc18c\ub9ac\uc758 \uc601\ud1a0 Sonic Territory<\/strong> Paul Gr\u00fcndorfer<\/strong> is exploring sound as a perceptional phenomena of action and reaction to site specific criteria, and as a processual media. He is investigating relations between stability, failure, and ambiguity of site-specific interventions, process-oriented projects, sound related sculptures and electronic devices to think about functional relations and the appearance of sound events. http:\/\/www.tricx.net<\/a> https:\/\/soundcloud.com\/t_a-z<\/a><\/p>\n Sonic Territory<\/strong> <\/p>\n = = = = = = = = = =<\/p>\n \ubb38\uc758<\/strong><\/p>\n \uc8fc\uc758 \uc0ac\ud56d<\/strong><\/p>\n \uc57d\ub3c4<\/strong> \ub124\uc774\ubc84\uc9c0\ub3c4<\/a> \ub2e4\uc74c\uc9c0\ub3c4<\/a> Google Maps<\/a><\/p>\n 2019\/04\/26 FRIDAY \uae08\uc694\uc77c \uc624\ud6c4 8\uc2dc
\n\uc774\ud589\uc900 Hangjun Lee (Solo)
\nPaul Gr\u00fcndorfer (Solo)<\/p>\n
\n![\"\"](\"http:\/\/www.dotolim.com\/wp-content\/uploads\/2019\/04\/movement_isak_han-500x333.jpg\")
<\/p>\n
\n*The NTMI \u2013 NonTrivial Music Instrument \u2013 \ub294 \uc2e0\uccb4 \uc6c0\uc9c1\uc784\uc744 \uc73c\ub85c \uc804\uc790 \uc0ac\uc6b4\ub4dc\ub97c
\n\uc2e4\uc2dc\uac04 \ud569\uc131\ud558\uace0 \uc81c\uc5b4\ud558\ub294 \ubc29\uc2dd\uc758 \uc0c8\ub85c\uc6b4 \ub514\uc9c0\ud138 \uc545\uae30 \uc774\ub2e4. http:\/\/www.airborneinstruments.eu\/<\/a><\/p>\n
\n*The NTMI \u2013 NonTrivial Music Instrument \u2013 is a new digital musical instrument facilitating a unique form of intuitive gestural play supported by its wireless interface and a special software architecture. http:\/\/www.airborneinstruments.eu\/<\/a><\/p>\n![](\"https:\/\/static1.squarespace.com\/static\/590d90c986e6c025edd42c4a\/t\/590e222615cf7d2fae323162\/1494098486880\/?format=500w\"\/)
![\"\"](\"http:\/\/www.dotolim.com\/wp-content\/uploads\/2019\/04\/unnamed-424x500.jpg\")
<\/p>\n
\n\uc784\uc2dc\uc801\uc778 \uc720\ube44\ucffc\ud130\uc2a4 \uacbd\ud5d8\uc73c\ub85c\uc11c\uc758 \uc6b0\uc2a4\uaf5d\uc2a4\ub7f0 \uc544\uc774\ub514\uc5b4\ub97c \uc774\uc5b4, \uc774 \uc138\ud2b8(Sonic Territory)\ub294 \uc9c0\uc18d\uc801\uc778 \uc0dd\ud0dc\uacc4, \uc5f0\uc124, \uc784\ud384\uc2a4 \uadf8\ub9ac\uace0 \ud53c\ub4dc\ubc31\uc5d0 \ucd08\uc810\uc744 \ub9de\ucd94\ub294 \uac83\uc744 \ubaa9\ud45c\ub85c\ud569\ub2c8\ub2e4. \uc1a1\uc2e0\uae30\ub85c \uc81c\uc791\ub41c \uc791\uc740 \uc804\uc790 \uc7a5\uce58\ub97c \uc0ac\uc6a9\ud558\uba70, \uc9c4\ub3d9\uc744 \ub4e4\uc73c\uba74\uc11c \uc18c\ub9ac\ub97c \uc77c\uc2dc\uc801\uc774\uc9c0\ub9cc \ub2e4\uc2dc \ub098\ud0c0\ub098\ub294 \uc694\uc18c\ub85c \uc9c8\ubb38\ud55c\ub2e4 (\ucef4\ud4e8\ud130, \ucee8\ud0dd\ub9c8\uc774\ud06c, VLF \uc2dc\uadf8\ub110)<\/p>\n
\nFollowing the idea of sonority as a temporary ubiquitous experience, this set will focus on continuous ecosystems, speech, impulse and feedback. While using small electronic devices built for transmission and to pick up vibration it will mainly question sound as a transitory but reappearing element. (computer, contacmicrophones, VLF signals).<\/p>\n\n
\n
![\"Dotolim](\"https:\/\/i1.wp.com\/www.dotolim.com\/wp-content\/uploads\/2014\/12\/dotolim_address_KOREAN.gif?w=840\")
<\/p>\n","protected":false},"excerpt":{"rendered":"
\nmembers 10,000KRW \/ advanced 15,000KRW \/ door 20,000KRW<\/p>\n","protected":false},"author":1,"featured_media":6966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[197,517,518,47,519,516],"class_list":["post-6959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event","tag-hangjun-lee","tag-isak-han","tag-paul-grundorfer","tag-47","tag-519","tag-516"],"jetpack_featured_media_url":"https:\/\/www.dotolim.com\/wp-content\/uploads\/2019\/04\/126_web-1.jpg","jetpack_sharing_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-06-01 23:16:23","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.dotolim.com\/index.php?rest_route=\/wp\/v2\/posts\/6959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dotolim.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dotolim.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dotolim.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dotolim.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6959"}],"version-history":[{"count":0,"href":"https:\/\/www.dotolim.com\/index.php?rest_route=\/wp\/v2\/posts\/6959\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dotolim.com\/index.php?rest_route=\/wp\/v2\/media\/6966"}],"wp:attachment":[{"href":"https:\/\/www.dotolim.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dotolim.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dotolim.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}