Sin:Ned / Dennis Wong / WONG Chung Fai / 黃仲輝
홍콩 출신의 즉흥/실험 음악가이자 노이즈 중독자. 그는 자기 자신을 하나의 매체로 여겨 새로운 소리를 찾아내는 것을 작품으로 나타낸다. 노이즈/사운드 작업에선 혼돈, 오류 및 극단적인 요소들을 통해 순수한 신체적 경험을 체험하고 이와 함께 암시적 형태의 신비주의를 보여주고자 한다. 연주자로서는 자기 지시적인 연주 방식을 추구하여 이성적이고 정통적인 음악 구조를 피하려고 노력해왔다. 그는 주로 채프먼 스틱, 기타, 랩탑, 신디사이저, 핸드메이드 악기, 피드백, 필드 레코딩 등 비 음악적인 물품들을 작업에 사용한다. Re-Records www.rerecords.com, SECOND, Twenty Alpha를 공동 기획하였고 Jolt Festival의 홍콩 주최자로도 활동하였다(http://joltarts.org/home
그는 유명한 홍콩의 대안 음악매거진 MCB (Music Colony Bi-Weekly) 소속의 작가이며 그의 글은 홍콩과 중국 전역의 음악가와 청취자에게 영향을 미쳤다. 즉흥 음악가로서는 Get It Louder (2007), Hong Kong & Shenzhen Biennale of Urbanism/Architecture (2007,2009), Architecture is Art Festival (2009, 2012), New Vision Arts Festival (2012), Miji Festival (2013), Kill The Silence Festival (2013, 2014, 2015 & 2016), Freespace Festival (2013, 2014), Lacking Sound Festival (2014), Lausanne Underground Film & Music Festival (2015), JOLT Touring Festival (2015) 등을 통해 공연, 설치, 오디오 비주얼과 연극 작업을 선보여 왔다.
Zbigniew Karkowski, Otomo Yoshihide, Kazuhisa Uchihashi, Alfred 23 Harth, Yan Jun, Torturing Nurse, dj sniff, Dickson Dee, Xr.Xper 등 수 많은 예술가와 협업해왔으며, 벨기에 레이블 Sub Rosa의 “Anthology of Chinese Electronic Music”과 “Anthology of Noise & Electronic Music Vol. 7”에 참여하기도 했다.
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Sin:Ned, aka Dennis WONG / WONG Chung Fai, is an improviser, experimentalist and noise addict from Hong Kong. He regards himself as a medium and his works, only manifestation of our hidden sonic aspects. His practice on noise and sound signifies an implicit form of mysticism in search of direct and pure physical experience through chaos, errors and the extremes. As an instrumentalist, he struggles to defy all rational and orthodox structures by pursuing a self-referential sonic existence. His works involve a wide range of tools and materials such as Chapman Stick, guitar, laptop, hardware synths, hand-made instruments, feedback, field recordings and various unusual non musical objects and devices. He is the co-founder of Re-Records (www.re records.com), SECOND, Twenty Alpha, and the Hong Kong organizer of JOLT Festival (http://joltarts.org/home). In addition to being core member of various experimental outfits such as No One Pulse, DECADE Ensemble, Archetype Ensemble, After Doom, adeo and underture, he is also the ritualist behind home brew events such as Kill The Silence Festival, and live performance series NOISE to SIGNAL.
Being a veteran writer of the legendary Hong Kong alternative music magazine MCB (Music Colony Bi-Weekly), his writings had influenced a wide spectrum of experimental musicians and listeners in Hong Kong and China. As a sound improviser, he has offered performance and creative work for concert, sound installation, workshop, audio-visual and theatrical performance such as Get It Louder (2007), Hong Kong & Shenzhen Biennale of Urbanism\Architecture (2007, 2009), Architecture is Art Festival (2009), Notch Festival 2009 Guangzhou Station (2009), Against 2012: Fukuoka Extreme Music Festival (2012), New Vision Arts Festival (2012), Miji Festival (2013), Kill The Silence Festival (2013, 2014, 2015 & 2016), Freespace Festival (2013, 2014), Lacking Sound Festival (2014), Lausanne Underground Film & Music Festival (2015), JOLT Touring Festival (2015)…etc.
He has worked with artists such as Zbigniew Karkowski, Otomo Yoshihide, Kazuhisa Uchihashi, Alfred 23 Harth, Yan Jun, Torturing Nurse, dj sniff, Dickson Dee, Xr.Xper and many more. His works have been featured in the infamous Belgium imprint Sub Rosa’s “Anthology of Chinese Electronic Music” and “Anthology of Noise & Electronic Music Vol. 7”.
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